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Is "On the Waterfront" Really a McCarthyite Film?
Film critic Matt Zoller Seitz examines the political reputation of the 1954 classic "On the Waterfront". Long thought of as a defense of director Elia Kazan's "naming names" during the HUAC-era, Seitz argues that the movie is far more nuanced than that. Looking through a historical context, Seitz offers a fresh perspective on one of American cinema's shining jewels.
eGuider: Chris Brenner
Post Production Point Man, Border Patrol, Scarecrow
A recent MFA graduate from USC's School of Cinematic Arts, Chris spends his days editing, sound designing and wondering why he doesn't get paid more. He has done post work on national commercials for Nestle and Heineken, as well as Ivan Reitman's web series "Border Patrol" and the Academy Award winning short "A Day's Work".